2019

The chants in the interlude have a magical effect. I can imagine the impact in the movie theater. Ajay-Atal are the perfect choice to score for larger than life films. On the one hand they can be loud, bombastic and convery grandeur in their scores, they also do well on the softer end of the musical spectrum. Abhay scores once again after his superlative performance in the song from 'Zero'. -Sunil

One of my favourite songs of the year. -Aditya

Beautiful and underrated Ajay-Atul melody which should have been heard more. It’s ‘Inn lamhon ke daman mein’ of Panipat (Ashutosh’s movie). It’s a culmination of love into marriage, and the Sanskrit shlokas are woven seamlessly into the composition. Coincidently, Ajay-Atul started their career almost 20 years back by giving music to Sanskrit shloka/strotra-s. Abhay Jodhpurkar gives yet another outstanding rendition for Ajay-Atul after last year’s ‘Mere Naam Tu’. Shreya sounds heavenly. A fantastic composition. -Mihir

Great opening tune. The best thing about the song is Ajay-Atul using cascading violins and NOT over-using their signature heavy dhol/percussions. Shreya and Abhay do a very good job of sticking to the emotions and not overplaying their hand. -Ketan

Strong call backs to O Saiyaan. Abhay is competent but nasal and somehow his singing puts me off.Shreya on OTOH is fabulous. -Krithikaa

Singing is good, western orchestra feels forced. -Abhay

The generic Ajay-Atul melody, propped by the symphonic arrangements and the vocals. -Rujul

The orchestration is grand yet there's stillness in this track. The arrangement is quite intricate and the signing is quite good. Not bad. -Subrat

Can listen to it just for the orchestration. -Sankhayan

Song is melodious with great singing by both Abhay and Shreya, but Ajay-Atul need to chill with their heavy percussion based arrangement. Needlessly makes a romantic song dramatic. -Hemendra

Abhay and Shreya both sing it really well. Ajay Atul are becoming very repetitive now - it was fresh with Agneepath, good with Dhadak and still beautiful in Mere Naam tu, but we need some fresh stuff from them now. -Akanksha

Melodious enough in parts, but drowned in mannered effects. -Ashok

Even more delusions of grandeur! -Armeen