RMIM Puraskaar
हाय रे फ़रेबी (706)
haay re farebii (706)
2.52

अनिकेत खांडेकर मिलिंद गधवी प्रथा खांडेकर  
2.44  2.01  2.57   
Aniket Khandekar Milind Gadhavi Prathaa Khandekar  
Jury comments

The sarangi in the beginning was nice.The music is similar to Barfaani from Babumoshai Bandookbaaz, but doesn’t deliver. Neither the voice nor lyrics appealed to me. -Akanksha

Did not know of this song before. Loved the fusion in the music arrangements, it creates a beautiful ambience. Would've preferred a better-tuned singer though. Nothing extraordinary in terms of lyrics. -Rujul

Discovered this lovely song quite late - the singing and the arrangements work beautifully. -Nagarajan

The folksy touch and the Sarangi adds some value to the song..Also the no-rush slow-pace treatment was a pleasant surprise. -Pavan

The music has a very electronic feel and the singer has a very rekha-bharadwaj vibe(which works for in her favor). -Neha

Contrast between the atmosphere, the electric elements, and the classical feel makes this an engaging listen. -DM

Makes for a pleasant hearing with some interesting orchestration. -Aditya

Underrated gem of a song . Beautiful lyrics that outline a woman's angst at being cheated in love "Mantar fooke savaro sikari, baawri karke loot li saari" "Beh gaya paani, reh gayi nadiya" create a visual imagery that’s beautiful. The excessive processing is a put off though and the song sounds tinny at places. -Krithikaa

Good tune and singing. Good usage of sarangi, though the juxtaposition of tabla alongside electronic percussions is jarring, and makes a mess of the final product. -Ketan

यह गाना अपना सफ़र तय करते हुए इस लिस्ट तक आ पाया इसी बात से काफ़ी तसल्ली की जा सकती है कि जब-जब अच्छी कम्पोज़िशन सुनाई दे, तो वो अपनी जगह बना ही लेती है. गाना शहनाई से शुरू होता है (RMIM के हमारे साथी निशांत एक दम याद आ गए) पर ऐसा नहीं है कि यह पूरी तरह से शास्त्रीय हो, इसमें जहाँ शहनाई,तबले और हारमोनियम कीजुगलबंदी है, तो साथ में ड्रम और सिंबल (Cymbal) को भी इस्तेमाल किया गया है. अनिकेत खांडेकर और प्रथा ने बढ़िया काम किया. प्रथा का उच्चारण भी साफ़ रहा ('चल दिए हम भी ख़ुद'...इसमें उनका ''ख़ुद'' का उच्चारण एक साफ़ मालूम चलता है. हालांकि, निजी तौर पर मुझे उनके 'कुतवाली' बोलने के अंदाज़ में वो एक दम साफ़ सुनाई नहीं दिया और 'कुटवाली' के इर्द-गिर्द सा लगा. -विकास

Lovely classical based melody by father-daughter duo, that grows on you. -Naresh

I had not heard heard about the film, the composer or the singer. I loved the sound of the sarangi and harmoniom in the song. The crisp tabla juxtaposed with the drums sounded good. Some of the sounds by the keyboard and the drum machine in the interlude sounded too amateurish.Curious to check out the other songs by this composer. -Sunil

All fine. Pratha has a tender voice; works ok in this song; may not be versatile. -Ashok

Good attempt at producing semi classical fusion track. -Mihir

A good rendition of thumri; slightly over-orchestrated but I'm assuming that's to fit something that’s happening on screen. -Subrat

नोट: गानों को अंक केवल श्रेष्ठता के लिए दिए गए हैं. केवल औसत से बेहतर प्रदर्शन के लिए अंक हैं. हर श्रेणी में अधिकतम अंक 5 हैं.
Note: The ratings/scores are on a positive-only scale. This means that an average performance gets a zero and the ratings go up from there. Maximum 5 marks per category.

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विनय प्र जैन. प्रतिक्रियाएँ giitaayan at gmail dot com पर भेजें. फरवरी 2019.