2021

Spectacular, soaring, Rahman in complete element. -Sukanya

Loved the instrumentation. Rahman at his best. The finest track in the brilliant soundtrack! -Aman

Trust ARR's songs to have the most unpredictable progression despite the song using a popular hook tune. -Meera

One of my favorite songs of the year. The instrumental are wonderful, especially, the flute. The opening bits reminded me of Manmohini Teri Ada. -Pankaj

Complex and intricate classical ditty, sung really well, overall impact still remains somewhere in the middle. It remotely reminds one of Madhuban main radhika. -Suanshu

Delightful composition! Words & tune blend into the rhythm beautifully! -Arun

This energetic, semi-classical song with rich orchestra is wonderfully sung by Shreya and Haricharan. -Vaishali

A delightful, semi-classical song by Rahman that gets both the melody and singing so very right. -Karthik

marks the trademark sound ARR-ALR combo. -Anup

The tune, with a tinge of Carnatic music, doesn't break any new ground but is pleasant. -Anish

I especially loved the sudden, unexpected, and delightful burst of choir (by El Fe) after the first antara (anupallavi). -Vishal

A real charmer. The singing is amazing! -Sumi

Has a lot of colors including that of hameer. -Nishant

A nice melody based partly on Raag Hameer. The singers give the song what it needs. -UVR

Ah Hameer - hard to be inconspicuous about it. Another ARR "montage" song...nothing sounds remotely *bad* but it doesn't quite hang together as a cohesive entity. Words again clumsily fit in multiple spots. The "Tere Rang" tag happens too late in the song to mean anything to me. -Sanjeev

The song has a haunting quality, where the Longing is still joyful. Like Radhika's for Krishna. -Vaidehi