2020

The heavily electronically post-processed voices didn't work for me. -UVR

Both the versions workalmost equally well for me. -Anish

A melodious track by SEL & Javed saab. A song that is conversational in nature. When you hear the ‘Saansein..’ portion, you immediately know it’s SEL composition. -Mihir

The first stanza goes on and on. Then some bhangra beats takes over and take the song in to a predictable rut. -Subrat

A pleasant and breezy romantic number in the trademark Shankar-Ehsaan-Loy zone, this one has an infectious tune, especially to the mukhda up till the hookline. The Qawwali elements fused with rock in the hookline really pack a punch. -Rujul

Sort of sweet to see lyrics like "palken jhuk ne lagi" in a modern day song. -Shalini

Fun, foot tapping song reminds of Shankar Mahadevan's Breathless a bit. -Vaishali

A gorgeous song that blends the melody with a kind of ebullient energy. Thoroughly infectious. -Karthik

Shahid Mallya and Asees Kaur's vocals uplift the otherwise average song. -Aman

Asees is very good here. Lovely chorus too. -Anup

SEL strike pay dirt with the turn the tune takes at the Dekho Dheere Dheere line and that twist keeps the listener hooked to the song, causing them to loop the multiple song despite the inherent familiarity of the tune. Is it only me or is there a nod back to Ude Jab Jab Zulfein at places? -Krithikaa

Reminds one of 70s classics, feels like it would be perfect to dance to at a wedding. -Trisha

The song starts with a really long line, written by Javed Akhtar, that traverses several (five?) bars starting with 'Pehle pehal' and ending at 'Mil gaya ve'. -Vishal

Has a distinct SEL stamp. The female voice lacks the earthy feel needed for this song. Lyrics are typically Javed Akhtar. -Aditya