सपना है सच है (पानीपत) sapanaa hai sach hai (Panipat) |
2.48
|
अजय-अतुल | जावेद अख़्तर | अभय जोधपुरकर, श्रेया घोषाल | |
2.52 | 1.97 | 2.59 | |
Ajay-Atul | Javed Akhtar | Abhay Jodhpurkar, Shreya Ghoshal |
The chants in the interlude have a magical effect. I can imagine the impact in the movie theater. Ajay-Atal are the perfect choice to score for larger than life films. On the one hand they can be loud, bombastic and convery grandeur in their scores, they also do well on the softer end of the musical spectrum. Abhay scores once again after his superlative performance in the song from 'Zero'. -Sunil
One of my favourite songs of the year. -Aditya
Beautiful and underrated Ajay-Atul melody which should have been heard more. It’s ‘Inn lamhon ke daman mein’ of Panipat (Ashutosh’s movie). It’s a culmination of love into marriage, and the Sanskrit shlokas are woven seamlessly into the composition. Coincidently, Ajay-Atul started their career almost 20 years back by giving music to Sanskrit shloka/strotra-s. Abhay Jodhpurkar gives yet another outstanding rendition for Ajay-Atul after last year’s ‘Mere Naam Tu’. Shreya sounds heavenly. A fantastic composition. -Mihir
Great opening tune. The best thing about the song is Ajay-Atul using cascading violins and NOT over-using their signature heavy dhol/percussions. Shreya and Abhay do a very good job of sticking to the emotions and not overplaying their hand. -Ketan
Strong call backs to O Saiyaan. Abhay is competent but nasal and somehow his singing puts me off.Shreya on OTOH is fabulous. -Krithikaa
Singing is good, western orchestra feels forced. -Abhay
The generic Ajay-Atul melody, propped by the symphonic arrangements and the vocals. -Rujul
The orchestration is grand yet there's stillness in this track. The arrangement is quite intricate and the signing is quite good. Not bad. -Subrat
Can listen to it just for the orchestration. -Sankhayan
Song is melodious with great singing by both Abhay and Shreya, but Ajay-Atul need to chill with their heavy percussion based arrangement. Needlessly makes a romantic song dramatic. -Hemendra
Abhay and Shreya both sing it really well. Ajay Atul are becoming very repetitive now - it was fresh with Agneepath, good with Dhadak and still beautiful in Mere Naam tu, but we need some fresh stuff from them now. -Akanksha
Melodious enough in parts, but drowned in mannered effects. -Ashok
Even more delusions of grandeur! -Armeen
2019 पुरस्कार मुखपृष्ठ पर वापस - Back to 2019 Puraskaar home
विनय प्र जैन. प्रतिक्रियाएँ giitaayan at gmail dot com पर भेजें. फरवरी 2019.