कलंक (कलंक) kala.nk (Kalank) |
2.44
|
प्रीतम | अमिताभ भट्टाचार्य | अरिजित सिंह | |
2.44 | 2.25 | 2.36 | |
Pritam | Amitabh Bhattacharya | Arijit Singh |
Beautiful track which ties at powerful emotional chords. -DM
Best song (or songs!) of this album.The best bits of this style of songs by Pritam - high notes, repetitive sufiyana phrases ' main tera' in this instance, the point at which tabla comes in! Tu jugnu chamakta main jungle ghanera!. Special mention to Shilpa Rao in the duet version and the bonus track, her voice is pinot noir! -Akanksha
Arijit template, however, melodious and definitely the nest song of the album. -Hemendra
अरिजीत की आवाज़ और अमिताभ के बोलों ने एक ख़ूबसूरत गाना रचा है।. -अंकित
A love ballad with sufi/spiritual connect. The slow build up to eventual crescendo-- ‘Main tera, main tera’ chant and Arijit’s penultimate verses take us back to Pritam’s own Channa Mereya. -Mihir
The composition and singing sounds too 'westernized' to work well in this film. As a stand alone song it is good though. -Aditya
Arijit Pritam and Amitabh Bhattacharya is probably THE most potent singer, composer, lyricist combination in Hindi film music right now. What a force. -Sankhayan
Part Prayer part dirge kalank tugs at your heart strings because Arijit emotes Amitabh's lyrics beautifully. That bridge to the first charanam with strings is lovely. The climax is stunning like a serene river that cascades to thunderous waterfall. The main tera chorus refrain over which Arijit emotes those last lines, joining the chorus later is like a waterfall. -Krithikaa
Arijit all over the song, brings in the intensity and makes it somewhat listenable. -Pavan
Arijit does a disservice to this lovely tune. Is there such a shortage of talent that all songs seem to go to him? -Ketan
Forgettable. -Abhay
The starting guitar portion repeats throughout the song, and is the main attraction of the song. Arijit sounds uncomfortable in the high notes, which is why I find the duet version better where Shilpa Rao takes control. -Rujul
There must be a market for this tripe. Nothing else can explain the extraordinary rate at which such songs are being churned out. I guess Kumar Sanu's 90s numbers have finally been buried. -Subrat
The quintessential Bollywood "period piece" a.k.a. "delusions of grandeur". -Armeen
2019 पुरस्कार मुखपृष्ठ पर वापस - Back to 2019 Puraskaar home
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