2019

An energetic and engaging listen throughout powered by Shreya's impeccable singing. -DM

Pleasant melody by Pritam in the zone of Aami je tomar. But the track is highly underwhelming. I'd have liked Vaishali Mhade being given more lines than just a sargam. Could have been a proper duet song with two singers to match Madhuri & Alia enacting on-screen. The lyrics sound more ‘designed’ rather than authentic. -Mihir

Without Shreya, this song is forgettable - even with a nice saragam. -Abhay

Strong Call backs to Mere Dholna. Mere Dholna works better as a song though. -Krithikaa

Ambition Sholay waale; execution Ramgarh ke Sholay waale. -Subrat

Aavaaz achchhI hai par Namak kam hai.. Forcing too much of sweetness down the throat in this Gimmick of a song. -Pavan

I am still preplexed by the loud percussions. Average song. -Hemendra

Banal lyrics and Shreya sounds off. The melody is about the only decent thing. -Ketan

The best song of the film. Well conceived and put together. -Aditya

Singing ok. Some passages noisier than such a song should be. -Ashok

Effortrless singing in a beautifully arranged track. Lovely arrangement with great use of strings and backing vocals. -Sunil

Delicious singing by Shreya, and the percussions are infectious. Tight. -Sankhayan

Catchy? -Armeen

Lovely composition and use of traditonal instruments. I would've appreciated if Pritam used different voices for Madhuri and Alia's parts. The lyrics are a bit muddled - 'na hi phagun ki hori' in a ram song is odd! -Akanksha

Shreya is excellent, and shows her range in classical portions of the song. -Naresh

Shreya returns to Pritam's studio after a long 7 years, and the results are stunning! There is an amazing tarana in the interlude which is the peak point of the song. -Rujul