मेरे नाम तू (ज़ीरो) mere naam tuu (Zero) |
3.08
|
अजय-अतुल | इरशाद कामिल | अभय जोधपुरकर | |
3.26 | 2.84 | 3.04 | |
Ajay-Atul | Irshad Kamil | Abhay Jodhpurkar |
This is such a gorgeous number and given the premise and reviews of the film, I am almost afraid of what they will do to it on screen. Beautifully arranged, lovely piano pieces with an operatic flavor to it. I also quite like the fact that Ajay Atul have started to develop a unique and identifiable sound of their own. -Megha
Ajay-Atul have a great melody and then they over orchestrate, especially the percussion section which plays a spoiler. Abhay Jodhpurkar tries to soar above the orchestration which doesn't quite work. -Ketan
Ajay-Atul's best this year. Abhay Jodhpurkar's Hindi debut comes admittedly late but it is grabbing all ears now. -Nagarajan
One hell of a crescendo. Builds up to it and delivers. -Sankhayan
Ajay-Atul have perfected the formula for love ballads - an excellent melody often delivered by a male voice, soaring strings and an arrangement that alternates between light/mellow and dense/stirring. You get the feeling you have heard Mere Naam Tu before but it's so good that you don't mind the air of familiarity. -Param
In the Sairat mould, with Western symphony orchestra and I guess this is what is becoming the Ajay Atul sound. -Vibhendu
Inspiring orchestral interludes and light backgrounds on the vocal sections are melded quite well. -DM
Seemed to go on forever. -Nishant
A clean, pleasant listen. Abhay Jodhpurkar clearly Sonu-inspired, but a bit different. Could somehow guess it was Ajay-Atul before actually seeing it. -Sanjeev
Abhay Jodhpurkar is a wonderful singer who covers both low and high notes wonderfully. He needs more exposure. Great symphonic score. Superb interludes. Lovely use of chorus. -Sunil
Nothing special. -Pranav
So much of 'Sairat' feel, for the array of Violins and Flute, becoming a stamp of Ajay-Atul, Ajay-Atul creates a grand canvas and presents it quite well to live up to the billing loved the song for Abhay Jodhpurkar's refreshing rendition.. Only the bridge line 'Ailaan hai' doesnt work well. -Pavan
इस गीत के चंद हिस्से 'वादा' में गुलज़ार साब के लिखे विस्मयकारी गीत 'रोज़-ए-अव्वल ही से आवारा' की याद दिलाते हैं। यही इस उत्सवकारी गीत की सबसे बड़ी तारीफ़ है।. -मिहिर
Beautiful. Though slightly repetitive Ajay-Atul style. The lyrics are beautiful. Also I'm just happy that Ajay decided to NOT sing this song himself. -Meera
Sounds like a song from Om Shanti Om. Singing is the only saving grace. Lyrics are ordinary. Music arrangement loud. -Hemendra
अजय-अतुल के संगीत संयोजन और इरशाद क़ामिल के मख़मली बोलों को सहेजे ये गाना एहसास की नई ज़मीनों को छूता है।. -अंकित
Composition is beautiful but orchestration overpowers the song overall. -Arun
2018 पुरस्कार मुखपृष्ठ पर वापस - Back to 2018 Puraskaar home
विनय प्र जैन. प्रतिक्रियाएँ giitaayan at gmail dot com पर भेजें. फरवरी 2019.