2018

Does Neeti Mohan strictly do retro sounding songs now? -Arun

ये बहुत ही प्यारा गाना है। ओल्ड वर्ल्ड चार्म। इसका कुछ श्रेय सिद्धार्थ-गरिमा के भोले-भाले लिरिक्स को जाता है, और बहुत सारा श्रेय नीति मोहन की प्यारी आवाज़ को जाता है। उन्हें सुनना नटखट नादानी को बोलते सुनना है। गीत के दूसरे हिस्से में जहाँ वे चहककर 'अहा' करती हैं, लगता है जैसे दुनिया की सारी पिंजरे में कैद चिड़ियाएँ आज़ाद हो गईं।. -मिहिर

Great fusion of sitar mixed with sounds of birds, water etc to come up with a lovely melody. Interesting that a female talks about a man's eyes whereas the earlier Mera Saya version had Lata singing about a woman's eyes. -Ketan

One can imagine all of Sanjay Leela Bhansali visual splendour through this song, with its expansive sound, use of sitars and chorus and Neeti Mohan wonderful evocative voice. One of the best compositions of this movie. Sanjay Leela Bhansali's composing skills and arrangments are getting better with each movie, despite the fact that he is not a trained musician. -Sunil

Opening word reminds me of the Mera Saya song. Good that it is not too long. -Ashok

DejaVu feel for the old melodies. But well done here. -Pavan

Varied and very melodic track, the semi-classical touches accentuate the track in a great way. -DM

Again, why was this made so short? -Nagarajan

Kanada elements brought out nicely. -Nishant

Neeti Mohan has largely passed under my radar, but she delivers the goods. Smartly this song is short. Explicit pointers to Darbari in the instruments, but defused in the singing...One gripe - can't put my finger on it, but for some reason the song feels out of character with the rest of the soundtrack - the "aha" is supposed to be endearing but it's not working for me here... -Sanjeev

Interesting progression of notes. Sounds like a mix of Darbari/ Sarang. What's beautiful is that it doesnt bear any resemblance to SLB's earlier songs. -Meera

Neeti Mohan is excellent, the song’s got a lovely, almost extinct old fashioned ness. -Sankhayan