2018

Another great composition. Superb singing by Shivam Pathak. I hope he gets more singing opportunities. -Param

मद्धम और मुलायम सा ये नग़्मा, अंतरों के बीच में आई क़व्वाली से एक अलग ही सुरूर पैदा करता है। संगीत, गायकी और बोल सभी उम्दा हैं।. -अंकित

Textbook yaman. -Nishant

Well-sung; conspicuous Yaman base. -Sanjeev

Can't do much wrong with a good Yaman composition. Unfair to compare it to another Yaman romantic-qawalli given that it had Roshan-Sahir-Asha involved. I still wish Shivam Pathak's voice was smoother and not strained in the higher ranges which takes away the impact of the music. -Ketan

Slow Mithoon-ish track, that drags slightly. -DM

I'd asked SLB why a lot of his songs are in Yaman Kalyan. He said, it wasnt Yaman Kalyan for him. It was his childhood radio at play here. He grew up listening to mann rey tu kaahe na dheer dharey. Explains... -Meera

High scores to Shivam Pathak's excellent rendition, range, and powerful voice. -Sowmya

All songs of Padmaavat can be summerized in two words - 1) Predictable 2) Boring. Here's the formula that SLB uses in all his movies - one song that's overly sweetened love song (typically Yaman raga based), a couple that are based on an existing folk tune or theme, and rest with a lot of chorus (typically male). -Pranav

Typical Bhansali treatment, but Arijit singing has haunting value and stays with us even after the song gets over. -Pavan

Lazily tuned. Qawwali interlude works; could have used more of it. -Ashok

Promising composition but a bit monotonous. -Arun