बिन्त-ए-दिल (पद्मावत) bint-e-dil (Padmaavat) |
2.64
|
संजय लीला भंसाली | ए एम तूराज़ | अरिजित सिंह | |
2.49 | 2.18 | 2.80 | |
Sanjay Leela Bhansali | A M Turaz | Arijit Singh |
This is one of *the* songs of the year for me. Sanjay Leela Bhansali's composition is wonderfully complex and couldn't have been easy to sing but Arijit does full justice to it. I'm not sure if the middle-eastern singing style he adopts in this song is authentic but boy does it sound good! -Param
A nice twist to Arijit's musical abilities and SLB as a composer. While the rest of the songs are resoundingly SLB flavored, bint-e-dil is atypical and while may not sit well with everyone in terms of what the movie setting offers, is a great attempt to showcase the extent of SLB as a composer and AS as a singer. -Sowmya
Arijit is outstanding. It’s almost like inhabiting a character through singing, voice modulation. Crazy inflections. -Sankhayan
Not much there except some Arabic. -Ashok
Pathetic attempt at singing the non-hindi parts. -Nishant
Economic, measured beauty. -Nagarajan
Exotic Central Asian and Middle Eastern elements add interest to the track. -DM
Arijit at times sounds as if he is straining. -Sunil
Arijit gives the song its unique character. Lyrics by Amir Khusro :). -Pavan
Is there anything Arijit can't sing? -Arun
Every once in a while, Arijit makes the effort to tell us why he is The Arijit Singh. -Meera
Why SLB believes he ought to be a composer continues to baffle me. There are probably a hundred good examples of Arabic/Persian influenced Hindi film songs, but this is definitely nowhere on that list. -Megha
I don't want to get into debates on "authenticity" - but this song has a distinctly different flavor that I think Arijit has pulled off well; both melodic and lyrical intricacies... -Sanjeev
Standard SLB album. He needs to try and do something different. Same chorals/heavy percussion that is becoming very repetitive. -Hemendra
All songs of Padmaavat can be summerized in two words - 1) Predictable 2) Boring. Here's the formula that SLB uses in all his movies - one song that's overly sweetened love song (typically Yaman raga based), a couple that are based on an existing folk tune or theme, and rest with a lot of chorus (typically male). -Pranav
One has to give credit to Arijit for trying something new and putting in his heart and soul into getting a more Middle-eastern feel to his singing. I wish the orchestration had followed a similar route. -Ketan
Arijit not in his soporific self, for a change. -Vibhendu
2018 पुरस्कार मुखपृष्ठ पर वापस - Back to 2018 Puraskaar home
विनय प्र जैन. प्रतिक्रियाएँ giitaayan at gmail dot com पर भेजें. फरवरी 2019.