2018

So many things work for me here. One -- Puriya Dhanashri influences. Two -- a female music director. Three -- Minimal use of music. Four -- Rachita Arora's raw husky voice. Whole definitely greater than the sum of its parts! -Megha

I have a special affinity towards the classical fusion genre so I'd definitely have this song on my playlist. Certain aspects of rhythm section and the use of flute are the interesting highlights of this song for me. -Pranav

Another rare beauty - lovey singing and lyrics. I hope these new classically trained singers get more opportunities. -Arun

What a surprise of a song this turned out to be. Great use of different voice qualities and eclectic music. Minimal and sweet! -Hemendra

The song reminds me of "Sanjh Dhale" from 'Utsav'. Beautiful arrangement. Lovely balance between the vocals and instruments- both complement each other very well. Rachita Arora is a welcome addition to the rareified sphere of female music directors. Here she scores by singing as well. Looking forward to more of her work. -Sunil

Rachita Arora hits this out of the ball park and then along comes Dev Arijit, spoiling the effect a bit in this exquisite composition. -Ketan

Well-conceived and well-put-across. I prefer this Arijit! -Ashok

Fantastic semi-classical track with a haunting background arpeggio. -DM

Such a lovely combination of words, singers, music, choice of raag. Stirs you. -Meera

Puriya Dhanashree at its magical pinnacle. Rachita as a singer and composer has delivered a very pleasing number. -Sowmya

Pooriya-Marwa-Sohni territory is a great backdrop for haunting songs of despair. Sparse orchestration adds to the effect. Words are thrown a little awkwardly in the second verse (for that matter I find "bahut dukha" a bit forced in this meter. Vocals are quite good. -Sanjeev