The qawwali that NFAK made popular was Kinna Sona and that was not sensual while this one is. -Arun Simha

Expected a bit better from Rahman/Arijit combo but Gulzar saab shines as usual:
taap lage na tapti chandni da / Saari raati main oss chidkavan / Kinne dardan naal Rabb ne banaya. -Arun Verma

Gulzar in Punjabi is as enjoyable as he is in Hindi! -UVR

For me, Enna Sona was one those famed Rahman tracks you don't like to start with but which grow on you over a period of time. Keba Jeremiah's guitar and the legendary PMK Naveen Kumar's flute are very well done. -Param

ARR's minimalist approach is much appreciated here. -Megha

ennaa average-fare. -Nishant

Melody flows like a river. -Meera

Is it a cliche to say ARR has become so clichéd? -Zafar

Lovely flute and guitars in the interludes, but very ordinary and simplistic melody coming from ARR. -Anup

Enna sonna is adequately pleasant; more Arko than Rahman. -Karthik

Good singing but same old same old lyrics. -Sanjeev

Wow, what happened to Gulzar?! The Punjabi lyrics can't disguise the triteness of the sentiments they express. -Shalini Razdan