RMIM Puraskaar

2015 

हमारी अधूरी कहानी (हमारी अधूरी कहानी)
hamaarii adhuurii kahaanii (Hamari Adhuri Kahani)
2.30

जीत गांगुली रश्मि सिंह, विराग मिश्रा अरिजित सिंह  
2.39  2.26  2.37   
Jeet Ganguli Rashmi Singh, Virag Mishra Arijit Singh  
Jury comments

I assume it's the Arijit Singh version, not the MD version. -Ashok

Haunting in terms of arrangement and vocals, Arijit's emotive voice makes the song a popular one akin to "Tum hi ho". The use of violins and flute in setting the mood is not new but coupled with strong vocals, makes the song extremely potent and popular among the usual audience. Again surprised Humnawa didn't make the charts. A better song both in terms of musical arrangement and vocals. I give this an overall 3 because this song is very stereotypical and lacks originality. -Sowmya

Musically it's OK, but the singing is powerful. -Abhay

The song has a sprawling orchestration replete with strings instruments. Arijit Singh is the soul of the track, who takes the song one notch higher. I love this line - वक़्त की रेत पे, कुछ मेरे नाम सा..
लिख के छोड़ गया, तू कहाँ? -Mihir M

Arijit Singh sings this a lot better. The music and interlude are also well done. -Ketan

Popular for FM Bombardment. -Pavan

इस गीत को चार चाँद लगाया है अरिजीत सिंह ने अपनी आवाज़ से। गीत के बोलो के अंदर के भावों को जिस ईमानदारी से उन्होंने पकड़ा है वो दिल को छू जाता है। -मनीष

Arijit sounds distinctly different - very mature with a beautiful painful touch - than his other regular songs. My pick for Arijit from all his songs this year. -Shivani

Lovely piano and violin prelude, and pleasing interludes. Good lyrics. -Aditya

There's should be a genre titled Arijit-Bhatt (nee KK-Bhatt). And, I shouldn't be forced to listen to it. I have already heard of so many Arijit songs in this list that I am tired of another song sounding similar. -Subrat

Marred little by Arijit's singing, and the fact that the refrain 'hamaari adhuri kahani' sits as an appendage to the rest of the mukha.daa, the song works beautifully specially in the antaras and other parts of the quasi-refrain. -Vibhendu

नोट: गानों को अंक केवल श्रेष्ठता के लिए दिए गए हैं. यानी एक आम गाने को कोई अंक नहीं दिया गया. केवल औसत से बेहतर प्रदर्शन के लिए अंक दिए गए हैं. हर श्रेणी में अधिकतम अंक 5 हैं.
Note: The ratings/scores are on a positive-only scale. This means that an average performance gets a zero and the ratings go up from there. Maximum 5 marks per category.

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विनय प्र जैन. प्रतिक्रियाएँ giitaayan at gmail dot com पर भेजें. जनवरी 2015.