Kavita Seth trying out a genre which is not generally considered her forte was refreshing, but otherwise the song was very Pritam in its sound. -Vipin

Extremely addictive. Here a 0.25 is extra for the unusual but wonderful choice of singer, added in 'music' [music director's decision]. The lyrics get the high rating for the complete submission that is reflected in the song. -Harshit

Catchy, some unusual lyrics, but the uniform rhythm gets boring after a while. -Aditya

Neeraj Sridhar makes his appearance in this Pritam soundtrack but the only plus of the song is the pace at which it is set. -Nishant

Highly enthusiastic song. -Karthik

What nonsense?! -Armeen

Catchy, especially the chorus. -Ashok

गीत की शुरुआत सुनते हुए शोभा मुद्गल के अली मोरे अंगना की बरबस याद आती है , एक अजीब से बोलों का कॉम्बिनेशन. थिरकन ज़्यादा, मेलोडी गायब. -Vikas

स्कूल के दिनों में सबसे ज्यादा जो प्रार्थना दोहरायी है वो थी त्वमेव माता च पिता त्वमेव, त्वमेव बंधु च सखा त्वमेव। अब क्या जानते थे कि इतने दशकों बाद इस प्रार्थना की दूसरी पंक्ति को एक डान्स नम्बर की तरह गुनगुनाएँगे। वैसे वेक अप सिड के इकतारा के बाद नीरज श्रीधर के साथ कविता सेठ की गायिकी इस रूप में भी सामने आएगी ये किसने सोचा था? -Manish

Points for the clever subversion of the devotional "tumhin ho bandhu sakha tumhin ho". -Shalini

I wasn't completely taken with the mukhaDaa's mashing of the prayer. -Ramanand

Addresses the target audience of school/ college/ party going crowd eminently well. -Naresh

Apart from reconstructing a mujra, Pritam gave us this reconstructed bhajan as well. Again, Pritam's ability to choose the right voice elevates this song as Kavita Seth hits the high notes in the antaraa. The tune is familiar and addictive. Irshad Kamil who reserves his best for Pritam deserves a word of praise for the whole album. -Subrat