डोरी टुट्ट गैयाँ (गुंजन सक्सेना) Dorii TuTT gaiyaa.N (Gunjan Saxena) |
2.31
|
अमित त्रिवेदी | कौसर मुनीर | रेखा भारद्वाज | |
2.21 | 2.10 | 2.55 | |
Amit Trivedi | Kausar Munir | Rekha Bhardwaj |
The star of Dori is that lovely first interlude that features the flute. It is very difficult to steal the spotlight from Rekha Bhardwaj in emotive numbers but the flute does that here in an effortless and non-chalant way. -Krithikaa
Rekha ji can't make up for an average song. -Trisha
Enough of out-of-context use of Punjabi words!!! -Aditya
Nothing, except for Rekha B's rendition, worked for me. -Anish
What is this language? Hindi? Punjabi? Hinjabi? Very disappointing. Kausar Munir is capable of better. What happened to her? -UVR
The first collaboration between Rekha Bhardwaj and Amit Trivedi results in a mature and dulcet melody (albeit very much in the Trivedi zone of composition). The song makes for a poiugnant listen, and there is some great use of wind instruments and guitars. -Rujul
Once Rekha Bhardwaj sings a song, she makes it her own and it's hard to imagine that song in other singer's voice. -Vishal
Fascinatingly layered and captivating voice. -Svetlana
A sad, somber number lifted by Rekha B's evocative singing. -Subrat
This is a typical Rekha Bharadwaj song and has a similar impact. Still struggle to see the logic of Punjabi lyrics despite being filmed on a protagonist from Hindi heartland. -Akanksha
Delicate, meloncholic song, beautifully written by Kausar Munir and sung by Rekha Bharadwaj. -Vaishali
Tugs at the heart strings, this one - the song is all about Rekha Bhardwaj's delivery of Kausar Munir's lines, and Paras Nath's flute. -Vipin
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Vinay P Jain. Feedback to giitaayan at gmail dot com. February 2021.