2020

One of the best songs of the year. It’s a sweet waltzy tune with two lead singers harmonizing together. The dreaminess of the song is amplified by Mohit and Shreya’s gorgeous vocals, and Amitabh’s choice of phrases like counting the stars in the sky. The song has been meticulously composed by Rahman. The last one minute of the violin solo is simply otherworldly. -Mihir

Fresh and youthful, even when slightly overdone. Made me think of a sixties Broadway musical. -Trisha

Shreya and Mohit's vocals uplift this breezy composition. -Anish

Once again splendid use of harmonies by Rahman here, the overlaying of the slow, waltzy Taare Ginn portion and the double timed Jabse Hua portions works to fine effect. And the icing on the cake is of course Mohit Chauhan and Shreya Ghoshal handling the singing. -Vipin

Loved the minimal, piano and strings based arrangement. The interchanging harmony and melody lines between the two singers does wonders to the song! -Vishal

Singing is top draw. Mohit Chauhan is not heard too often these days and it is good to hear him here. There's a sense of familiarity but it is the cosy instead of the boring kind. -Subrat

Lovely orchestration in the background. -Vaishali

Shreya's voice sounds very pleasant. The lyrics didn’t appeal me but the recurring theme of harmonies in this album make it likeable. -Akanksha

Walt(z) Disney. -Anup

Rahman has created a well-structured melody with intricate countermelodies, both singers complementing each other impeccably. The waltz feel accompanied with the swelling and ebbing of the strings creates a dreamlike feel altogether. Amitabh Bhattacharya's lyrics are fine, especially in the antara. The antara is the culmination of the best of all the departments -- music, composition, lyrics and singing! -Rujul

Taare Ginn is the best of the Dil Bechara soundtrack. Mohit Chauhan and Shreya Ghoshal's overlapping vocals sound gorgeous. It works perfectly as the background piece to the famous Sushant Singh Rajput's picture counting stars through his telescope. -Aman

AR captures the fresh, dewy, exhilarating feeling of falling in love for the first time in this lovely understated waltz . Mohit and Shreya G are operating in top gear here and the overlap between their voices in the Antara works magic. At 4:17, Taare Ginn is longer than the average bollywood love song today and yet you keep wanting more as the song ends on a stupendous emotional high with that segue into horizon of saudade violin feature. -Krithikaa

Why Manoj here and not Hriday G.? -UVR

Loved the structure of the song with the overlapping vocals and the fast-slow tempo. -Shalini