मेरा नाम किज़ी (दिल बेचारा) meraa naam Kizie (Dil Bechara) |
3.04
|
ए आर रहमान | अमिताभ भट्टाचार्य | आदित्य नारायण, पूर्वी कौटिश, अमिताभ भट्टाचार्य | |
3.13 | 2.58 | 3.28 | |
A R Rahman | Amitabh Bhattacharya | Aditya Narayan, Poorvi Koutish, Amitabh Bhattacharya |
Loved the clarinet! Apparently, this song was added to the album as an afterthought; I am so glad that they did! Aditya Narayan totally rocked his part of the song! -Vishal
Aditya Narayan?! He sounds so different! Wonderful. Amitabh B.'s lyrics are enjoyable -- "raahat mein lipti si bechaini," waah! As I hear this song, it strikes me that ARR has been scoring for films for 3 decades ... and he still manages to keep it fresh and interesting. What a guy! -UVR
Thorwback to OP Nayyar and the 60s. Bombay Velvet kind of air about the song. Don't mind it at all. -Subrat
The cheerful and happy-go-lucky jazz touch in the music is remarkable in this one. While Rahman succeeds to create an intricate harmony between the lead singers, the way they deliver it is beyond expectations. Special mention to the resonant quality of Poorvi Koutish's voice. -Rujul
C. Ramachandra in 2020. -Anup
A lively, cheerful song set in an old school jazz universe. Rahman chooses an interesting set of singers for this one-- Poorvi Koutish and Aditya Narayan. We haven’t heard Aditya like this before. His singing is fantastic. The way both of them play around with words (especially Kizie, Manny), their western style of singing, while keeping the mood of the song intact is praiseworthy. Rahman ends the song on a high note with a splendid instrumental piece. -Mihir
Aditya and Poorvi are excellent in this old word Jazz melody and their voice sounds delectable in the lower registers. The wind instrument similar to the Oboe/Clarinet is very very charming and leads the song its frothy and heady conclusion. -Krithikaa
Poorvi Koutish and Aditya Narayan have sung this song really well! That said, the song itself doesn’t stand apart from other similar songs in the album. I'm sure this song was meant to move the movie's screenplay forward but on its own it won't stay with me for long. -Akanksha
Western-derived, but in a good way. And sung with great flair. -Trisha
The last one minute is where Rahman is having complete fun. -Aman
The opening notes of Clarinet perfectly sets the stage for the frothy number that follows. -Shalini
Nice rhythm, the instrumental portion at the end is very good. -Aditya
Cute, unassuming and fun. -Anish
This one carries a lovely old world jazz-y charm about it. Aditya Narayan and Poorvi Koutish are fab, but equally captivating are the clarinet/oboe solos strewn across the song. -Vipin
Instrumental improvisations towards the end are nice. -Vaishali
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Vinay P Jain. Feedback to giitaayan at gmail dot com. February 2021.