2020

Mandolins, Banjos and Kanjiras create a backdrop for Hriday and Sunidi to indulge in fun and frolic with a lovely tune which has a strong call-back to Matarghasti and its own unique identity at the same time. If this song had released during the caller tune era, one can imagine hearing the Mandolin + Banjo hook when calling friends and family. -Krithikaa

The hook music is catchy. -Aman

Just the kind of song for Sunidhi. -Aditya

A harmless fun kind of song; loved the use of South Indian percussion in the arrangements along with the otherwise European-sounding instruments. Sunidhi aces the singing, while Hriday provides a cute soft edge. Amitabh's lyrics are quirky as expected. This song kind of sounds like Rahman in Trivedi mode. -Rujul

Good to hear Sunidhi in this kind of song. I'm tired of this sort of lyrics though. -Subrat

A decent but less palatable "Matargashti". -Vishal

Good rendition. -Anish

A spirited song and ARR’s throwback to Matargashti. It is Sunidhi Chauhan who owns this track. Her voice is enough to lift up the mood. That lively and comforting voice of Sunidhi which I’ve enjoyed in songs like ‘Mere sang chal toh zara’ and ‘Gun gun guna re’ makes a comeback here. Hriday Gattani’s voice compliments her really well. Amitabh Bhattacharya’s words contribute to the fun quotient of this playful track. -Mihir

I would have liked to switch out Hriday Gattani's voice for Manoj Chauhan's in this song, and Manoj for Hriday's in Taare Ginn. Also, did anyone else feel that this song sounds somewhat Amit Trivedi'ish in tune and arrangement, or is it just me? -UVR

Not one of my favorites in the album. -Akanksha

Kanjira and peedahari balm are the winner. -Anup

AR Rahman and Amitabh Bhattacharya do a splendid job imitating the feel of an advertising jingle, with the recognizable words “peedahari balm” as the centrepiece. But the song feels a little too self-conscious in the end. -Trisha