RMIM Puraskaar
पिया समाए (मुल्क)
piyaa samaae (Mulk)
2.18

अनुराग सैकिया शकील आज़मी शफ़क़त अमानत अली, अर्शद हुसैन  
2.23  2.43  2.50   
Anurag Saikia Shakeel Azmi Shafqat Amanat Ali, Arshad Hussain  
Jury comments

Shafqat's soothing vocals are welcome. Refreshing to hear a lovely semi-classical and qawaali genre after a long time. -Sowmya

Generic sufi song with Qawwali elements. -DM

It's not a good sign when the chorus sounds better than one of the lead singers. Never heard the word jhajhat' in a Sufi qawalli before this. -Ketan

Wish we had more of these than an occasional number sometimes. -Nishant

I have a special affection for songs in Roopak taal. -Meera

There's a limit to the supposed appeal of the "raw, untrained" voice, the first voice is just grating - Shafqat is a breath of fresh air; Something "been there, done that" about the song and idiom...in fact it reminds me a lot of "Bismillah" featured in Coke Studio - 7-beat rhythm, Des/Tilak-Kamod influence, even the key of G. -Sanjeev

A decent listen, yet lacks intensity and innovation in treatment, fails to reach a high. -Pavan

Haven't heard Shafqat Amanat Ali sing in a very long time, and I am glad to see him return to Bollywood playback. (Is it a return or have I just not noticed his songs?) Reminiscent of Piya haji ali at times, not just because of the genre but also in melody. Sufi/ qawwali songs in Hindi films are starting to get pretty formulaic, aaj kal. -Megha

Sounds like a song composed for Shafaqat to show his singing prowess. Unmemorable. -Hemendra

Great to see such compositions being made in this era. -Arun

Soulful singing by both vocalists. Beautiful lyrics-"koi hara koi gerua baataye"! -Sunil

OK, but too long. -Ashok

नोट: गानों को अंक केवल श्रेष्ठता के लिए दिए गए हैं. केवल औसत से बेहतर प्रदर्शन के लिए अंक हैं. हर श्रेणी में अधिकतम अंक 5 हैं.
Note: The ratings/scores are on a positive-only scale. This means that an average performance gets a zero and the ratings go up from there. Maximum 5 marks per category.

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