2018

I'm a little done with AT and the electronic synth feel. Becoming more repetitive than 'signature style'. -Meera

Amit Trivedi has the unique ability to make catchy songs without using overly engineered rhythms, beats etc. especially using the four-on-the-floor beat patterns. -Pranav

पियानो के साथ एक और दिलचस्प ओपनिंग पीस। जयदीप साहनी के बदमाशी भरे बेपरवाह बोल अमित त्रिवेदी के चकमा देनेवाले संगीत के लिए ही बने हैं। -मिहिर

Dear Majnu (aka Amit Trivedi): The only way any Laila could be in your dil would be if she were tone deaf, given the way you sing. -Ketan

Maybe can get some points for the way its recorded. -Nishant

The song works better in the context of the film; not quite as a stand alone song. Lovely beginning on the piano. It is a pity that the 2 instrumental tracks of the soundtrack are not up for judgment. -Sunil

A peppy tune that lends itself very well to singing along. -Param

That piano just elevates every Andhadhun song to a new high. -Hemendra

Funny, I guess? Dil ke dil ke dil ke bhi dil men...any other examples of such nested constructions? -Sanjeev

Generic four-on-the-floor Bollywoodized House song with pleasant piano interludes. -DM

Despite the familiarity of arrangment, right in the sweet zone of Trivedi, the song works wonders - the composer is terrific behind the mic, and the movie's talismanic Piano is adequately impressive. -Nagarajan

Breezy! -Arun

Feet-tapping and a cheery composition. -Sowmya

Other than orchestration, not much of interest. -Ashok